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Showing posts with label music. Show all posts
Showing posts with label music. Show all posts
Sunday, May 19, 2013
This is just too damn funny
If you ever needed proof that we will never have another band with the impact that The Beatles had, this is it:
Hat tip to Instapundit
Hat tip to Instapundit
Saturday, December 8, 2012
I could get used to the middle with her
Sussana Hoffs doing a cover of Stuck in the Middle With You. Originally by Steelers' Wheel, featuring Gerry Rafferty, who has some solo success later, the song was ruined for many people by Reservoir Dogs. And no, Bob Dylan had nothing to do with it. But Sussana Hoffs is one of the 10 women I'd leave my wife for, so I thought I'd put this up:
Monday, May 14, 2012
The whistling door whistles no more.
I am on a new project, and I am disappointed to find that the whistling door is now silent. Apparently that was a winter thing. No longer can I play "Ode to Joy" by messing with the bathroom door. Oh, well. (If you have no idea what I'm talking about, you have two choices: hit the link up there, or remain blissfully ignorant).
In any event, we are back in the land of no cell phone reception, internet so crappy and slow we might as well not have it (yes, this is intentional on the part of the firm) and only 40 hours a week. The firm shall remain nameless, unless they really piss me off. On the plus side at this point, they are letting us do 40 hours in four days. So we've got that going for us. And yes, this is a revival of a project I already left twice because it sucks. Here I am, back (inadvertently) for a third time. Nobody told me what the project was before I decided that working was better than not. Seriously, there should be a buyer's remorse out, like with cars.
In any event, we are back in the land of no cell phone reception, internet so crappy and slow we might as well not have it (yes, this is intentional on the part of the firm) and only 40 hours a week. The firm shall remain nameless, unless they really piss me off. On the plus side at this point, they are letting us do 40 hours in four days. So we've got that going for us. And yes, this is a revival of a project I already left twice because it sucks. Here I am, back (inadvertently) for a third time. Nobody told me what the project was before I decided that working was better than not. Seriously, there should be a buyer's remorse out, like with cars.
Tuesday, December 27, 2011
The hills are alive . . .
. . . with the sound of mu-u-u-u-u-u-u-u-u-u-sic. OK, no hills, and it's not really music, no matter how many "u's" you use. (That rhymes.) Perhaps I am getting ahead of myself and should explain. Fine, I will.
The project I am on, pathetic and overtimeless as it is, has some interesting features. Even though we are at the firm, we are intentionally isolated from the firm. This actually is good. We are on a floor separate from the rest of the law firm and require no key cards to get where we need to be to work. We are unable to get to any other space the firm occupies, as we lack key cards, which means anyone at the firm who wants access to us (other than the two legal assistants who have offices on our floor and are tasked with making sure we don't steal the silver) has to come to us, as we can't go to them. Naturally, none of them want to come to us, so they don't, and we are left alone.
But I digress. The interesting part is the space we're working in. There currently are three projects in here, separated by movable dividers. The space itself is just a big room, with dividers turning it into three (unequally sized) spaces. This room has two exit doors, both of which lead to hallways that each have a set of double doors exiting to the elevators. On one of the hallways, between the door that exits our space and the double doors that lead to the elevators, is the men's bathroom and, directly across from that, some kind of locked maintenance/workspace that serves unknown building purposes. Bear with me, this becomes important.
Our workspace is ventilated in such a way as to create a fairly significant overpressure -- air flows out of our space at a pretty impressive rate. Naturally, it does this through the two exit doors. At one end, the single door leading into our space closes fine despite the overpressure, but the double doors on the hallway that exit to the elevator lobby are held slightly ajar by the outflowing air. At the other end, the double doors close fine, but this is because the single door leading into our workspace is held ajar by the outflowing air. (All of these doors have automatic return mechanisms intended to close them regardless of how thoughtless the person who just walked through them might be.)
For those of you who have stayed with this long enough, here is where things get fascinating. The workspace across from the men's restroom apparently has some sort of outlet that allows air to rush through it into a shaft or whatever. The air flows into the space around the door and whistles really loudly. If you move your hand up and down the door crack, it changes the pitch of the whistle. You also can change the pitch and/or volume of the whistle by opening the door to our workspace, opening the double doors that lead to the elevator lobby and by opening the door to the men's restroom. All of these actions have a different effect on the pitch of the whistle. I swear, I've learned how to play "Ode to Joy" by opening doors and moving my hand over the door crack. My goal now is to figureout "Auld Lang Syne" by New Year's.
The project I am on, pathetic and overtimeless as it is, has some interesting features. Even though we are at the firm, we are intentionally isolated from the firm. This actually is good. We are on a floor separate from the rest of the law firm and require no key cards to get where we need to be to work. We are unable to get to any other space the firm occupies, as we lack key cards, which means anyone at the firm who wants access to us (other than the two legal assistants who have offices on our floor and are tasked with making sure we don't steal the silver) has to come to us, as we can't go to them. Naturally, none of them want to come to us, so they don't, and we are left alone.
But I digress. The interesting part is the space we're working in. There currently are three projects in here, separated by movable dividers. The space itself is just a big room, with dividers turning it into three (unequally sized) spaces. This room has two exit doors, both of which lead to hallways that each have a set of double doors exiting to the elevators. On one of the hallways, between the door that exits our space and the double doors that lead to the elevators, is the men's bathroom and, directly across from that, some kind of locked maintenance/workspace that serves unknown building purposes. Bear with me, this becomes important.
Our workspace is ventilated in such a way as to create a fairly significant overpressure -- air flows out of our space at a pretty impressive rate. Naturally, it does this through the two exit doors. At one end, the single door leading into our space closes fine despite the overpressure, but the double doors on the hallway that exit to the elevator lobby are held slightly ajar by the outflowing air. At the other end, the double doors close fine, but this is because the single door leading into our workspace is held ajar by the outflowing air. (All of these doors have automatic return mechanisms intended to close them regardless of how thoughtless the person who just walked through them might be.)
For those of you who have stayed with this long enough, here is where things get fascinating. The workspace across from the men's restroom apparently has some sort of outlet that allows air to rush through it into a shaft or whatever. The air flows into the space around the door and whistles really loudly. If you move your hand up and down the door crack, it changes the pitch of the whistle. You also can change the pitch and/or volume of the whistle by opening the door to our workspace, opening the double doors that lead to the elevator lobby and by opening the door to the men's restroom. All of these actions have a different effect on the pitch of the whistle. I swear, I've learned how to play "Ode to Joy" by opening doors and moving my hand over the door crack. My goal now is to figureout "Auld Lang Syne" by New Year's.
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